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Anonymous
Dall' Abaco
Ahle
Albrechtsberger
Albrici
Altnikol
Ariosti
Georg Arnold
C. P. E. Bach
Heinrich Bach
J. S. Bach
Badia
Becker
Franz Benda
Bernabei
Bertali
Biber
Bodinus
Bononcini
Boxberg
Burney
Buxtehude
Francesca Caccini
Caldara
Capricornus
Cavalli
Charpentier
Clemens
Corrette
Croft
Dittersdorf
Donati
Du Mont
Endler
Erlebach
Fasch
Ferrandini
Finger
Foerster
Fux
Galuppi
Gassmann
Geist
Gentili
Gletle
Goldberg
Gombert
Grandi
J. G. Graun
K. H. Graun
Graupner
Graziani
Handel
Michael Haydn
Heinichen
J. W. Hertel
Hoeckh
Hoffner
Josquin
Keiser
Kraus
Lassus
Legrenzi
Leonarda
Leopold I
Lully
Manfredini
Biagio Marini
Rupert Ignaz Mayr
Virgilio Mazzochi
Meck
Meder
Merula
Monteverdi
Muffat
Naumann
Nichelmann
Oliver y Astorga
d'Ordonez
Andreas Oswald
Pachelbel
Pepusch
Peranda
Pfleger
Pohle
D. Purcell
Rameau
Ranisius
T. Richter
Rigatti
Ristori
Roellig
Rogers
Rosenmüller
Luigi Rossi
Rovetta
de la Rue
Sances
A. Scarlatti
Schelle
Schmelzer
Sebastian
Smieton
Somis
Steffani
Stölzel
B. Strozzi
Luigi Taglietti
Tartini
Taverner
Telemann
Tunder
Vaet
Vanhal
Veracini
Wagenseil
S. Wesley
Wetzke
Zelenka
Johann Rosenmüller
Amo te Deus meus
Setting a text most likely by one of Rosenmüller's favourite poets, St Augustine, this fine motet from Andere Kern-Sprüche is scored for the gorgeous combination of two alto voices with a consort of gambas or trombones, a sounds the composer was doubtless familiar with through the works of his older friend, Schütz.

Click here to see the opening sinfonia.


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Domine Deus meus
This motet from the second set of Rosenmüller's Kern-Sprüche of 1653 sets a text from the Meditations of St Augustine for two tenors, two violins and continuo.

Click here to see the first page of the score.


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Warlich ich sage euch
In this setting of the familiar text from St John's Gospel ("Verily I say unto you"), Rosenmüller conveys the meaning of the phrase "Shall have everlasting life" through the use of ground bass, first a descending tetrachord, then a rising one and finally a free three bar bass. The piece, from the composer's 1653 Andere Kern-Sprüche, is scored for SATB, two violins and continuo.

You can see the first page by clicking here.


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Sonata in E minor
Late in his life, Rosenmüller, who had gone to Venice under a dark cloud in the 1650s, was reconciled with his homeland, mainly through the support he found at the court of the Dukes of Brunswick. This is the second of his "Sonate à 2.3.4. è 5. Stromenti da Arco & Altri" of 1682, which was dedicated to Duke Anton Ulrich. It follows the common patchwork model, and does not have an independent string bass part.

Click here if you would like to see an excerpt from this piece.


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Suite in E minor
Fed up with encountering poor (illegal) manuscript copies of his instrument music, Rosenmüller tells us in the preface to Studentenmusic that he had decided to incur the costs of printing his five-part suites. The suite in E consists of a stately Paduan (you can see the first section by clicking here), a lively Ballo and a Courant.

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Suite in F major
This is another set of dances from Studentenmusic, consisting of a Paduan followed by Alemanda, Courant, Alemanda, Ballo and Sarabanda, The music will work well with strings, woodwinds or brass.

Click here to see the opening.


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In te Domine speravi
This is one of many solo alto motets - and setttings of Psalm 30 (31) - from Rosenmüller's output. Here the voice combines with a five-part ensemble, most likely two violins, two violas and bassoon with continuo.

To see the first page, click here.

In response to customer requests, this piece is also available one tone higher (in D major).


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Nisi Dominus
This fine setting of Psalm 126 (127) os scored for SATB, six-part strings (or perhaps a bassoon / dulcian on the bottom). Rosenmüller uses all his imaginative powers in setting the different verses of the text.

Click here to see the opening.

The performing set consists of two full scores, four vocal scores and all the instrumental parts.


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Christum ducem       (Motet for alto, two violins & Bc)
*O Salvator dilectissime*
       (Motet for alto, five instruments & Bc)
*Vox dilecti mei*
       (Motet for alto, two violins & Bc)

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