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Anonymous
Dall' Abaco
Ahle
Albrechtsberger
Albrici
Altnikol
Ariosti
Georg Arnold
C. P. E. Bach
Heinrich Bach
J. S. Bach
Badia
Becker
Franz Benda
Bernabei
Bertali
Biber
Bodinus
Bononcini
Boxberg
Burney
Buxtehude
Francesca Caccini
Caldara
Capricornus
Cavalli
Charpentier
Clemens
Corrette
Croft
Dittersdorf
Donati
Du Mont
Endler
Erlebach
Fasch
Ferrandini
Finger
Foerster
Fux
Galuppi
Gassmann
Geist
Gentili
Gletle
Goldberg
Gombert
Grandi
J. G. Graun
K. H. Graun
Graupner
Graziani
Handel
Michael Haydn
Heinichen
J. W. Hertel
Hoeckh
Hoffner
Josquin
Keiser
Kraus
Lassus
Legrenzi
Leonarda
Leopold I
Lully
Manfredini
Biagio Marini
Rupert Ignaz Mayr
Virgilio Mazzochi
Meck
Meder
Merula
Monteverdi
Muffat
Naumann
Nichelmann
Oliver y Astorga
d'Ordonez
Andreas Oswald
Pachelbel
Pepusch
Peranda
Pfleger
Pohle
D. Purcell
Rameau
Ranisius
T. Richter
Rigatti
Ristori
Roellig
Rogers
Rosenmüller
Luigi Rossi
Rovetta
de la Rue
Sances
A. Scarlatti
Schelle
Schmelzer
Sebastian
Smieton
Somis
Steffani
Stölzel
B. Strozzi
Luigi Taglietti
Tartini
Taverner
Telemann
Tunder
Vaet
Vanhal
Veracini
Wagenseil
S. Wesley
Wetzke
Zelenka
Christoph Graupner
 
Employed at the court of Hesse-Darmstadt for 50 years, Christoph Graupner was one of the most important composers of his day. During this time, he wrote an astonishing number of cantatas (of which over 1400 have survived in the State Library at Darmstadt), as well as a sizeable corpus of instrumental pieces.
2010 is the 350th anniversary of his death, and Prima la musica! will issue First Editions of many more ouverture suites and sinfonias, edited by Kim Patrick Clow, as well as cantatas and keyboard music. In addition to Hermann Max's CD of six cantatas for Christmas time, we are also looking forward to concerts around the world which will bring this neglected master to wider recognition.
GRA052 Vergnügte Ruh
This cantata is scored for solo soprano, instruments and continuo. In the opening aria, recorders are doubled at the octave by violette (copied into the violin part, so possibly small violas), two violas (one in alto, one in tenor clef - both given in alto clef in the score), while the second has solo traverso, 4-part strings and continuo. The final aria returns to the opening scoring. The text by Georg Christian Lehms was later set by J. S. Bach. The pastoral atmosphere of Graupner's setting suggests another Bach cantata...
Click here to see the first page.


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GRA056 Mein Herz schwimmt in Blut
This 1712 cantata is also a setting of Lehms, and consists of eight movements: four recitative-aria pairings, the third of which is like a chorale fantasy. The solo soprano is accompanied by strings throughout, with oboes cued for the last movement only.
To see the first page, click here.


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GRA600 Gott will mich auch probieren
GRA098 *Jesu frommer Menschen Heerden*
Kim Patrick Clow is methodically working his way through this corpus of fine music from the sources in Darmstadt. As well as a rich diversity of styles, the orchestral suites in particular reveal the composer's interest in different instrumental colours, and show how versatile the court orchestra must have been.

*GRA183 Ouverture in C, GWV401*

Three chalumeaux (1 soprano, 2 bass) 8pp. -""Sample page
Ouverture, Air affettuoso, Menuet, Gavotte, Sarabande, Eccho


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Ouverture in C, GWV402
Ouverture in C, GWV403
GRA137 Ouverture in C, GWV404

4-part strings, Bc. Flute and oboe in 1 movement. 16pp. -""Sample page
Ouverture, Air, Sarabanda, Air, Air en Loure, Lira 1/2, Menuet


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Ouverture in C, GWV405
Ouverture in C, GWV410
GRA177 Ouverture in C minor, GWV413

4-part strings, Bc. 20pp. -""Sample page
Ouverture, Plainte craintive, Menuet en echo, Tombeau, Airs en Rondeau, Sarabande, Menuet 1/2


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Ouverture in D, GWV418
Ouverture in D, GWV421
Ouverture in D, GWV423
Ouverture in D, GWV424
Ouverture in D minor, GWV425
Ouverture in D minor, GWV426
Ouverture in E flat, GWV429
Ouverture in E, GWV433
Ouverture in E, GWV436
Ouverture in E, GWV438
Ouverture in E, GWV440
Ouverture in F, GWV446
Ouverture in F, GWV447
Ouverture in F, GWV451
Ouverture in G, GWV457
Ouverture in G, GWV464
Ouverture in G, GWV466
Entrata in G minor, GWV468
Ouverture in G minor, GWV469
Ouverture in G minor, GWV471
Ouverture in A, GWV473
Ouverture in A, GWV477
Ouverture in B flat, GWV479
Ouverture in B flat, GWV484
Ouverture in B flat, GWV485
Ouverture in A, GWV729
Sinfonias label
Ludwig of Hessen-Darmstadt was apparently partial to the "modern" sinfonia, especially on his birthday - and while he was on hunting expeditions. Kim plans to edit all the surviving works.

Sinfonia in D, GWV520
Sinfonia in D, GWV529
Sinfonia in D, GWV533
Sinfonia in D, GWV540
Sinfonia in D, GWV548
Sinfonia in F, GWV566
Sinfonia in G, GWV596
GRA053 Violin Concerto in A
This three-movement concerto shows that Graupner had quite an ear for timbre - the first movement, with its wide ranging dynamics and bassetto passages, is very original. The rousing final gigue will test most baroque violinists!

Click here for a preview.


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GRA069 Ouverture in E minor, GWV442
Six dances follow the imposing French Overture that opens this suite: a Rondeau, a Menuet, a Loure, a Gavotte and a Gigue. The oboes di selva were originally written in French violin clef and are F-instruments, meaning that the sound is a fifth lower than the notated pitch.

Click here to see the opening of the Ouverture.


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GRA070 Ouverture in E flat, GWV430
Although the title-page reads "Ouverture a 2 Hautb: (oboes), 2 Violin, Viola e Cembalo", this wonderful orchestral suite in six movements also features two flutes (in the Air en sarabande) and bassoon (solos in the final Gavotte en rondeau). There are also movements entitled Pastorelle and La morosità.

Click here to see the first page.


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GRA071 Ouverture in E, GWV439
This is another fine overture-suite by Graupner, this time scored for two oboes d'amore, strings and continuo. After the opening movement (click here to see the first page) come Bergerie, Rejouissance, Loure, Menuet, Loure and Menuet.

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GRA073 Bassoon Concerto in F
This concerto for bassoon and strings survives in a manuscript from the Darmstadt court library, attributed to J. G. Graun. There are three movements. Its uncharacteristically quirkiness, consecutive fifths in the opening bar (!) and the fact that the name of the composer is squashed into the right-hand corner of the first page as "Grau" has convinced Prof. Michael Schneider that this concerto was in fact written by the Darmstadt Kapellmeister, Graupner.
To see the opening, click here >>>


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