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Anonymous
Dall' Abaco
Ahle
Albrechtsberger
Albrici
Altnikol
Ariosti
Georg Arnold
C. P. E. Bach
Heinrich Bach
J. S. Bach
Badia
Becker
Franz Benda
Bernabei
Bertali
Biber
Bodinus
Bononcini
Boxberg
Burney
Buxtehude
Francesca Caccini
Caldara
Capricornus
Cavalli
Charpentier
Clemens
Corrette
Croft
Dittersdorf
Donati
Du Mont
Endler
Erlebach
Fasch
Ferrandini
Finger
Foerster
Fux
Galuppi
Gassmann
Geist
Gentili
Gletle
Goldberg
Gombert
Grandi
J. G. Graun
K. H. Graun
Graupner
Graziani
Handel
Michael Haydn
Heinichen
J. W. Hertel
Hoeckh
Hoffner
Josquin
Keiser
Kraus
Lassus
Legrenzi
Leonarda
Leopold I
Lully
Manfredini
Biagio Marini
Rupert Ignaz Mayr
Virgilio Mazzochi
Meck
Meder
Merula
Monteverdi
Muller
Muffat
Naumann
Nichelmann
Oliver y Astorga
d'Ordonez
Andreas Oswald
Pachelbel
Pepusch
Peranda
Pfleger
Pohle
D. Purcell
Rameau
Ranisius
T. Richter
Rigatti
Ristori
Roellig
Rogers
Rosenmüller
Luigi Rossi
Rovetta
de la Rue
Sances
A. Scarlatti
Schelle
Schmelzer
Sebastian
Smieton
Somis
Steffani
Stölzel
B. Strozzi
Luigi Taglietti
Tartini
Taverner
Telemann
Tunder
Vaet
Vanhal
Veracini
Wagenseil
S. Wesley
Wetzke
Zelenka
Henry Du Mont
*Ave Regina caelorum*
Du Mont suggests that this Marian antiphon may be sung by either two sopranos and bass, or alto, tenor and bass, and adds an optional treble viol part "to enhance the harmony". The piece is contrapuntal throughout.
Four scores and parts
... £8.00
Score
... £6.00
Continuo
... £1.00
Ave Virgo gratiosa
This Marian motet is scored for
Haute-Contre
or
Dessus
, two
Dessus de Viole
, bassoon and continuo. It comes from Du Mont's
Motets à II. III. et IV. parties
of 1681.
Click
here
if you want to see an extract from this piece.
Two scores and parts
... £8.00
Score
... £5.00
*Cantate Domino*
This motet is interesting in that Du Mont uses Italic and Roman type to distinguish between potential soloists and tutti. Our edition preserves his original notation, which allows performances by one or two choirs.
Five scores
... £10.00
Score
... £7.50
Continuo
... £1.00
Litany a5
Lasting over ten minutes, this harmonically rich but essentially rather modest piece will give choirs a gentle introduction to the church music of the French baroque, without requiring instruments or any knowledge of the intricacies of ornamentation. Du Mont himself says that it will work with five singers or a larger group.
Click
here
to see an extract from this piece.
Six scores
... £15.00
Score
... £10.00
*O dulcedo amoris*
This short motet may be performed by alto, tenor and continuo or two sopranos and continuo. Du Mont adds an optional treble viol part to the texture which often joins the singers in contrapoint.
Three scores and parts
... £6.00
Score
... £4.00
Continuo
... £1.00
Peccator ubi es?
This dialogue between the Angel and the Sinner is taken from Du Mont's
Motets a Deux Voix
of 1668 and should not be confused with the composer's
grand motet
of the same name.
If you want to see an extract from this piece, please click
here
.
Three scores
... £8.00
Score
... £5.00
*Quare tristis es?*
This dialogo between a sinner and his soul was printed in Du Mont's
Motet's a deux voix
of 1658. The composer suggests that it may be sung by two tenors or two sopranos.
Three scores
... £6.00
Score
... £4.00
Continuo
... £1.00
*Regina caeli*
This setting of the Marian antiphon is scored for ATB and continuo and was published in the composer's
Motets a II. III. et IV. parties
.
Four scores
... £8.00
Score
... £6.00
Continuo
... £1.00
*Sancta et immaculata*
A Marian motet from the composer's
Motets a II. III. et IV. parties
, scored for SATB and continuo.
Five scores and parts
... £10.00
Score
... £7.50
Continuo
... £1.00
*Sub umbra*
This motet from Du Mont's
Motets a II. III. et IV. parties
of 1681 is scored for bass voice, two treble viols and continuo.
Two scores and parts
... £5.00
Score
... £4.00
Continuo
... £1.00
*Unde tibi*
This motet for Tenor, two treble viols, bassoon and continuo sets texts from St Bernard's Sermons. It was publised in the composer's
Motets a II. III. et IV. parties
of 1681.
Two scores and parts
... £7.50
Score
... £5.00
Continuo
... £1.00
Venite ad me
This motet, setting texts relating to the celebration of communion, comes from the composer's 1681 printed collection in which Du Mont is called "Maistre & Compositeur de la Musique de la Chapelle du Roy & de la Reyne". It is scored for
Taille
(Tenor), 2 treble viols, bassoon and continuo.
To see the first page, please click
here
.
Two scores and parts
... £8.00
Score
... £5.00
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