Vocal music
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Alma Redemptoris mater

From the composer's Sentimenti Devoti, op. 6.
Edited by Brian Clark.
8pp.
Scoring: 2 sopranos, continuo.

Alma Redemptoris mater

Part of the sequence of music for Compline, 1662.
Edited by Brian Clark.
8pp.
Scoring: SATTB, continuo.
If you plan to perform this work with a large choir, please email us to negotiate a special price for extra scores.

Ave Regina coelorum

From the composer's Sentimenti Devoti, op. 6.
Edited by Brian Clark.
8pp.
Scoring: Soprano, Alto, continuo.

Ave Regina coelorum

Part of the sequence of music for Compline, 1662.
Edited by Brian Clark.
8pp.
Scoring: SATTB, continuo.
If you plan to perform this work with a large choir, please email us to negotiate a special price for extra scores.

In te, Domine, speravi

Part of the sequence of music for Compline, 1662.
Edited by Brian Clark.
16pp.
Scoring: SATTB, continuo.
If you plan to perform this work with a large choir, please email us to negotiate a special price for extra scores.

Laudate Dominum

Printed in the composer's Concerti Musicali of 1654, this setting for SATTB is marked "à 5. da Capella".
The work is in two contrapuntal sections of similar length, the first setting the verses of the psalm, while the second is devoted to the Gloria Patri and Amen.
Edited by Brian Clark.
8pp.
Scoring: SATTB, continuo.
If you plan to perform this work with a large choir, please email us to negotiate a special price for extra scores.

Memoriam fecit

Edited by Brian Clark.
12pp.
Scoring: Alto solo, Tenor solo, continuo.

Regina coeli laetare

Part of the sequence of music for Compline, 1662.
Edited by Brian Clark.
8pp.
Scoring: SATTB, continuo.
If you plan to perform this work with a large choir, please email us to negotiate a special price for extra scores.

Salve Regina

Part of the sequence of music for Compline, 1662.
Edited by Brian Clark.
12pp.
Scoring: SATTB, continuo.
If you plan to perform this work with a large choir, please email us to negotiate a special price for extra scores.