This cantata was rated by Bernd Baselt, author of the earliest monograph on Erlebach's music, as a supreme model of his church compositions. Even from the first page, it is evident that he employs rich harmonies and clever counterpoint to express the text.
This cantata was rated by Bernd Baselt, author of the earliest monograph on Erlebach's music, as a supreme model of his church compositions. Even from the first page, it is evident that he employs rich harmonies and clever counterpoint to express the text.
Edited by Brian Clark.16pp.Scoring: SATB soli and tutti, 2 violins, 2 violas, bassoon, continuo.If you plan a choral performance and extra scores are required, please contact us.