This cantata was first performed on the 10th Sunday after Trinity, 1736. Each half opens with a tutti which is followed by an accompagnato, then an aria (solo Bass in the first half, Tenor in the second half, both with obbligato flute and strings), and concludes with a chorale.

Geistliche Cantaten Series C1, volume 15

Edited by Brian Clark.
52pp, printed on quality paper and finished by Ingram Spark.
Scoring: SATB, flute, 2 oboes, strings, continuo.

Click HERE to see the opening pages of the score.

Performance material by negotiation.