This cantata was first performed on the 5th Sunday after Trinity, 1736. Slightly unusually, this piece opens with an aria for bass. A second aria (for alto) follows the ensuing accompanied recitative, before the morning music ends with a chorale. The second half opens with a tutti which is followed by another accompagnato, then an aria for soprano, and the cantata concludes with a second chorale.

Geistliche Cantaten Series C1, volume 15

Edited by Brian Clark.
72pp, printed on quality paper and finished by Ingram Spark.
Scoring: SATB, 3 oboes, strings, continuo.

Click HERE to see the first page of the score.

Performance material by negotiation.