This cantata was first performed on the 8th Sunday after Trinity, 1736. Each half opens with a tutti which is followed by an accompagnato, then an aria (solo Alto with oboes in the first half, Tenor with flutes in the second half), and concludes with a chorale.

Geistliche Cantaten Series C1, volume 14

Edited by Brian Clark.
64pp, printed on quality paper and finished by Ingram Spark.
Scoring: SATB, 2 flutes, 2 oboes, strings, continuo.

Click HERE to see the first two pages of the score.

Performance material by negotiation.